Siostrzyczki/Sisters

Postanowiłam wykorzystać moje zapasy cennych prostokątnych skrawków papieru yuzen na ukochane washi ningyo. Udało mi się zwalczyć pokusę i nie cyzelować ich godzinami:) I tak, myślę, uchwyciłam istotę kimona-prostotę. Siostrzyczki w wiosennych kimonach zapraszają na spacer.

Finally I`ve decided to take advantage of valuable piles of rectangular scraps of yuzen paper for my beloved paper ningyo dolls . I was able to fight off the temptation and do not smooth their shapes for hours :) And yes, I think, I caught the essence of kimono-simplicity. Little sisters in spring kimonos invite you for a walk.

Powrót do kolekcji piękności

Wielka moja radość z tego kroku w kierunku powrotu do największej pasji....Tytułem wstępu jednak nie piękność z dawnego drzeworytu ukiyoe, lecz współczesna geiko- tachikata Fumicho, wielka mistrzyni w tradycyjnym tańcu z dzielnicy gejsz Miyagawa w Kyoto.

My great joy with first step towards a return to the greatest passion .... not this time bijin of the old woodblock ukiyoe, but contemporary geiko-tachikata Fumicho, great traditional dance mastress from Miyagawa-cho, Kyoto hanamachi.

Windy day

I’ve been experimenting with new theme and colour combinations. It was great challenge for me to start such theme unknown in my creations so far. I`ve been prefering cute japanese girls with their red cheeks and lovely round faces. My friend made me eager to do something new. So there is, potrait of two boys struggling with koinobori (carp flags) on wind. 

My goal was to achieve movement, activity, get vivid composition to capture energy, vitality and envolvement of these little boys. I used many, many little pieces of japanese paper for children and kites shapes, everything was glued carrefully for seamless and neat effect. These operations took many hours, but these time owing decision about change artwork theme I think I gain little step for progress in my paper creation. 

Carp fish (koi) are used as festive decorations during Children's Day ( Kodomo no hi). This is a Japanese national holiday which takes place annually on May 5, the fifth day of the fifth month. It is a day set aside to respect children's personalities and to celebrate their happiness.

The day was originally called Tango no Sekku and was celebrated on the 5th day of the 5th moon in the lunar calendar or Chinese calendar. After Japan's switch to the Gregorian calendar, the date was moved to May 5.

Sekku means a season's festival (there are five sekku per year). Tango no Sekku marks the beginning of summer or the rainy season. Tan means "edge" or "first" and go means "noon". In Chinese culture, the fifth month of the Chinese calendar was said to be a month for purification, and many rites that were said to drive away evil spirits were performed.

Before this day, families raise the carp-shaped koinobori flags (carp because of the Chinese legend that a carp that swims upstream becomes a dragon, and the way the flags blow in the wind looks like they are swimming), one for each boy (or child), display a Kintarō doll usually riding on a large carp, and the traditional Japanese military helmet, kabuto. Kintarō boy and the kabuto are symbols of a strong and healthy boy.

Imperium drży....

Charytatywny plakat autorstwa Jamesa White mówi wszystko. Serce mi się kraje...

Sieć i telewizja zalane są obrazami Japonii po kataklizmie. Podglądając to globalne reality show, żenujące niusy w stacjach informacyjnych, relacje nie wnoszące żadnych sprawdzonych informacji, wypowiedzi i komentarze super ważnych specjalistów, mających swoje 5 minut na wizji, zastanawiam się co ja mogę po prostu zrobić zamiast siedzenia w ciepłych kapciach i patrzenia na to bezradnie?

Charitable poster by James White says everything. My heart bleeds ...
 Network and TV are full of images from Japan after the disaster. Watching this global reality show, embarrassing information from news stations, the relations giving  no reliable information, quotes and comments by super important specialists, I wonder what I can just do instead of sitting in warm slippers, and looking at it helplessly?